The art of cutting and fitting thin veneers of wood, shell or metal to form decorative surfaces, from geometric patterns to pictorial compositions.
Marquetry is one of the oldest decorative crafts applied to furniture and interiors. Thin slices of wood veneer — and sometimes shell, metal or bone — are cut and assembled piece by piece to form a picture or pattern on a flat surface. The technique demands close reading of each material: grain direction, figure, tonal weight and the way adjacent pieces read against one another.
The studio's marquetry work spans geometric inlay, pictorial panels and mixed-media compositions combining wood with mother of pearl, abalone, dyed veneer and metal foil. More complex work uses hot sand shading — veneer edges are pressed into heated sand to create a gradated burn — to introduce tone and depth without paint or dye.
Marquetry panels are applied to furniture tops, drawer fronts, headboards, wall panels, cabinet doors and decorative screens. Designs are drawn to scale in collaboration with the specifying designer, and samples are made before production begins.
The pattern or composition is drawn to scale, with each element mapped to a specific veneer species. Grain direction, figure and tonal contrast are planned at the drawing stage, and samples produced before cutting begins.
Individual veneer leaves are selected from stock for their grain character and matched visually before cutting. For pictorial work, leaves are chosen for specific natural markings that contribute to the composition.
Each piece is cut — traditionally by hand with a fretsaw, or by laser for precision geometric work — and fitted together on a backing panel without gaps. Where tonal gradients are required, hot sand shading is applied to veneer edges before assembly.
The assembled marquetry is pressed onto the substrate panel, sanded flush and finished with lacquer or oil to protect the surface and enhance the grain.
Marquetry is specified where a decorative surface needs to do more than veneer alone can. Most commonly it appears as the centrepiece of a dining or writing table top, a featured panel on a cabinet or sideboard front, or a repeating motif across wall panelling. Scale ranges from a single inlaid detail to entire wall, door or ceiling surfaces.